31 DAYS OF HORROR: EVENT HORIZON

As was explained in the first "31 Days of Horror", I am spewing forth my 31 favorite horror films of all time. I don't claim these to be the BEST of all time... just my favorite. I recommend each one of these films (although some are not quite what you might expect) as great viewing leading up to and for Halloween. Some of these films will not be familar to the average movie-goer... but ALL of them (with the exception of one I think) is available on DVD. These are in no particular order, so take 'em as they come. The Captain has turned off the no smoking sign and you are now free to roam about the cabin.

NOTE: See postings below for previous "31 Days of Horror" installments:
INVASION OF THE BODY SNATCHERS

Event Horizon (1997)
Directed by Paul W. S. Anderson. With Sam Neill, Laurence Fishburn, Kathleen Quinlan and Joley Richardson.

At first sight, Event Horizon seems to be a regular Science Fiction film. The year is 2047, and Earth's space command has just received a signal from the starship Event Horizion from the outskirts of the planet Neptune. The kicker? The Event Horizion vanished without a trace on it's first mission seven years before, in 2040.

A rescue mission is dispatched and the starship Lewis and Clark heads towards Neptune with Captain Miller (Fishburne), Dr. William Weir (Neill) who was the Event Horizon's designer, and a full crew. While traveling, Weir tells the crew that the Event Horizon's actual mission back in 2040 was to test a secret, experimental stardrive that would create an artificial black hole to bridge two points in space to significantly reduce travel time. While on this mission, it vansished without a trace. Since it's reappearance, just one single garbled transmission was received , which is a series of confusing screams and shouts, followed by the Latin phrase liberate me (which means "save me" for those of you not versed in Latin... I wasn't).

Once they arrive to the rediscovered starships decaying orbit, the Lewis and Clark can find no definitive trace of human life forms. With inconclusive sensor readings, the Lewis and Clark's crew decide to enter the Event Horizon to search for survivors. Inside, with the crew splitting up, Medical Technician Peters (Quinlan) discovers a frozen human corpse floating on the bridge, with both eyes gouged out. Engineer Justin (Jack Noseworthy) finds a blackish, liquid-like mirror within its core drive and stupidly reaches out to touch it. Obviously he had no idea he was in a horror film, or he might have thought twice about doing that. When he does, it sucks him inside and emits a large shock wave that damages the Lewis and Clark. Another crew member manages to pull Justin out of the core by his tether, but when he comes out he is catatonic.

Due to the damage to the Lewis and Clark, the remaining crew transfer to the Event Horizon, which only has a remaining 20 hours of air left on it. From there, things go from bad to worse. Justin emerges from his catatonia and attempts to commit suicide in an attempt to escape the memory of what he saw inside the black mirror. The crew begin to experience hallucinations of their personal fears and regrets and it becomes obvious that something horrible is on board the ship.

The knowledge that the crew is trapped and really has nowhere to run, or are even sure what they are running from is the real kick to this film. Despite the sci-fi setting, the film is an excellent horror story that mixes in both psychological and physical terrors. Once the Lewis and Clark discovers the fate of the Event Horizon's crew, things step up a notch. The scenes of what happened following the Event Horizon's testing of the new star drive is a mash of chaos and evil.

The movie follows a forbidding feeling throughout and there are some excellent twists and surprises as things go along. The ending is a little un-nerving as just when you think you have a grasp on the resolution, the film throws another quick and effective shock your way.

Highly recommended. The end will get ya, I guarantee it.

DECONSTRUCTING CREATION?

I've heard a lot of screaming about George Lucas and the handling of the Star Wars Universe other the years. Even more so due to the dismal reviews being handed out for the new Clone Wars CGI Cartoon released this week.

A question was raised by someone (Ok, Valerie D'Orazio on her Occasional Superheroine blog) wondering if Lucas actually OWES us (the fans) anything when it comes to concessions on how the Star Wars Universe is handled.

This is quite a dilemma... choosing between the obvious freedom a creator really MUST have with the worlds and characters he creates and the crowd demands that the path he/she leads those worlds down be what the crowd wants and expects.

I think ANY good creator needs to reconize how important fans are to ongoing success of a franchise and be willing to alter or adjust to keep those fans somewhat happy, but I also believe that the creator's own insistance that the worlds follow his/her desinated path no matter how anyone else feels about is a creator's right and even obligation.

When it comes to Star Wars, I'm not nearly as outraged as many other about how things have been handled over the years. It's been obvious to me that Lucas did NOT had as much planned out as we were led to believe back in the 1980s. Besides contridictions and seemingly changes in facts, timelines and events, things just feel different than we were led to beleive in the 80s when we heard about all the backstory.

The problem is, that we... as fans... feel that we OWN the aforementioned worlds and characters because of how much they touched us and meant to us as we were growing up. However, we tend to forget that the person who actually gave those worlds and characters life really should know their own creations better than us.

I remember when Thomas Harris' fourth novel HANNIBAL came out and there was an outrage about the ending (the novel, not the hollywood ending the movie put on it) and what happened with Clarise Starling. Peopole screamed about how Starling would never have acted a certain way or made the decisions she did or allow her to be lead in the direction that Lector led her in.
I remember thinking to myself "So after just one novel and perhaps spending a couple of hours with a character, the readers feel they know her better than the man who spent YEARS with her in writing and creating her?"

That's the problem... we all think we know better than the person who was the creator.
Lucas did a lousy job with a lot of the Star Wars mythos. I totally agree.

However, if HE is satisfied with how things turned out... maybe we should be willing to accept the fact that things went in the direction that was meant to be... in the creator's mind.

Not an easy thing to do, that's for sure.